This body of work is a result of the application of compositional principles.

It is intended that as a result of dividing the space within the borders, each spatial plane will act as a trigger against another forcing confrontation and compliance and illustrating emptiness and/or fullness.
As a result of this method of composition the viewer is provided with entry and exit points and a place from which to contemplate the contents.
Surface structuring has been aligned with content in that it reflects and deflects both physically and mentally.

This body of work represents the paintings as places rather than objects.