The recent installation artworks of M.F. Joyce, set loose an array of ephemeral, multifaceted sculptural formations, accompanied by numerous fleeting audio effects and scented stimuli.

These works may be construed as physical reconstructions stemming from that of psychological manifestations.

In this sense, the work can be viewed as a result of a phenomenological response and reaction towards given spaces in time.

However, due to the vast amount of visual information and narrative possibilities, no clear answers are given.

Therefore encouraging viewers to utilise there own mental faculties in order to formulate their own conclusions.